Four kids visit their analyst, Jane Brown, who is the mother of two of them, Betsey and Peter. The same four children visit Jane 15 years later.

Soon after entering a course called "The Psychology of Dream Analysis," Lillian discovers she has been having another person's dreams all her life.

Soon after entering a course called "The Psychology of Dream Analysis," Lillian discovers she has been having another person's dreams all her life.

In desperation Elliot and Oz decide to reply to a telephone dating ad to kickstart their non-existent love lives. Their Prayers are answered when two gorgeous girls agree to meet them on a blind date. Whilst fanning the flames of passion the two boys find themselves playing with fire! A fun filled roller coaster ride begins as the boys get more than they bargained for in their search for love.

A troubled, angry man is provided a second chance through an act of forgiveness

The sequel story of the "4bia"

A look at the source story, core human themes, the challenges and process of bringing the story to the screen, casting, creating realistic characters within their fields of expertise, alien ship and being design, costumes, alien language construction, and Denis Villeneuve's work.

"Drama Special - Understanding Dance" is a romantic comedy about Byeong Hyeon's love for Soo Ji, whom he meets at dance class. (Source: Han Cinema)

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.